Na-he-mah (Our Mother), 1974, by R.C. Gorman. Wrapped in a coral-pink blanket, a protective maternal figure stands in solitary dignity, her face obscured as she gazes downward or inward in a pose suggesting guardianship, spirituality, and deep connection to sacred purpose. The figure is rendered from behind, emphasizing the universal quality of motherhood and the strength of women as protectors and keepers of culture. Gorman’s application of warm reddish tones creates volume and presence, while the minimal background focuses attention entirely on the cloaked form. The Navajo title—meaning ‘Our Mother’—evokes the earth itself and the maternal forces that sustain all life, making this work both deeply personal and profoundly universal in its reach.

